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Loving Gardens, Loving the Gardener? ‘Solitude’ in Andrew Marvell’s ‘The Garden’
Laura Seymour 
Marvell Studies, Volume: 3, Issue: 2
Swansea University Author:
Laura Seymour
Full text not available from this repository: check for access using links below.
DOI (Published version): 10.16995/ms.26
Abstract
In ‘The Garden’, Andrew Marvell devotes a lot of time to extolling the virtues of the solitude he experiences in the garden of the title. Despite Marvell’s insistence that he prefers solitude to ‘society’, at the end of the poem his attention comes to rest approvingly on a human figure: the Gardener...
| Published in: | Marvell Studies |
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| ISSN: | 2399-7435 |
| Published: |
Open Library of the Humanities
2018
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| Online Access: |
Check full text
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| URI: | https://cronfa.swan.ac.uk/Record/cronfa70152 |
| Abstract: |
In ‘The Garden’, Andrew Marvell devotes a lot of time to extolling the virtues of the solitude he experiences in the garden of the title. Despite Marvell’s insistence that he prefers solitude to ‘society’, at the end of the poem his attention comes to rest approvingly on a human figure: the Gardener. Reading ‘The Garden’ alongside ‘Damon the Mower’, this article suggests that Marvell’s sensually-charged engagement with the plants, trees, and fruits in ‘The Garden’ can be interpreted as a means of accessing and loving the Gardener himself. On one reading of ‘Damon the Mower’, the narrator caresses Damon through the landscape. Tracking similar themes in ‘The Garden’ suggests that something similar may be occurring in this poem, too. |
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| Keywords: |
Andrew Marvell, poetry, sexuality, pastoral, solitude |
| College: |
Faculty of Humanities and Social Sciences |
| Issue: |
2 |